#107 COLD WAX MEDIUM AND OIL - COMBINED INTRO & INTERMEDIATE – 3 day workshop

Class Dates:

SATURDAY 10/26, SUNDAY 10/27, and SUNDAY NOV 3 from 09:00 - 12:00 pm

Class Instructor: Jan Lintz

Instructor Email: j_lintz@hotmail.com

instagram: @Jan_Lintz_Art

Price: $175.00
    The product is in stock Availability: Available
    3

    Students will need to supply these materials


    Do you love texture? Seeing the history and geography of underlayers peeking through? Are you intrigued by cold wax as an oil paint medium? The goal of this intensive 9-hour hands-on workshop is to dive playfully into the world of cold wax medium (CWM) without expectations, focusing on tools and techniques unique to CWM.

    No experience is required or expected (but returning students are welcome to expand on skills and techniques)!

    Students new to CWM can expect to create a "sampler" of techniques to use in future paintings.

    Returning students will become even more proficient with basic tool handling and techniques; will compare working on dryer surfaces; and will begin to translate CWM into their preferred style, whether abstract or more realistic.

    Returning students will have "homework" beforehand: 2-3 days before class, they should T-hinge mount 3-4 substrates on cardboard then paint 3 contrasting layers (mark the date & time on the cardboard) to compare how the results of various techniques change when applied to a dryer surface. They will bring 2 additional UNPAINTED substrates (+ mounting cardboard) to class.

    On DAY 1, ALL students will practice basic tool-handling together and will create 3 under layers using a brayer and squeegee. On DAYS 2 and 3, we will begin to explore creating texture and layering techniques on semi-dry underlayers as the wax begins to dry and set up a little. We will play with additive methods including pigment sticks, wet & dry transfer printing, stencils and masking, veils of transparent or opaque color; and also with subtractive techniques like scratching, scraping, and solvent reduction.

    As we build layers, we will talk about contrasting warm/cool, transparent/opaque, smooth/textured; about tool choice; and about safe and more sustainable studio practices. Returning students will begin to incorporate CWM techniques into compositions considering the principles of unity, balance, movement, rhythm, focus, contrast, pattern and proportion.

    Maximum of 6 students. Three 3-hour sessions.

    Our classes are now located at our "Studio North" location. When arriving make sure you have all your materials listed below for you class!

    PLEASE HAVE:

      • APRON
      • NITRILE gloves, 1-3 pairs
      • Rags
      • Painter's tape
      • Parchment or Wax paper
      • Cardboard box to transport wet paintings (pizza boxes work great)
      NEW STUDENTS ONLY: 4-6 TOTAL firm oil painting surfaces NO LARGER THAN 12”x12” or 12”x16” CHOOSE 4-6 FROM: • 1 PAD Arches OIL paper (= 12 surfaces, so stop here)• OR 1 PAD Canva OIL Artboards (= 10 surfaces, so stop here)• OR 1-4 Ampersand Gessoboards• OR 1-4 Canvas panels• OR 1-4 Gessoed(!) cradled wood panels (NOT stretched canvas)• OR some combination for a TOTAL of 4-6 painting surfaces
      • RETURNING STUDENTS ONLY: 5-7 TOTAL firm oil painting surfaces, size(s) as above3-4 of them already mounted & painted before class PLUS 2 more UN-painted, + materials to mount in class or already mounted
      • 4-6 Cardboard or (news)paper 1-2" larger than each of your substrates (that will fit in your pizza or other transport boxes)
      • Palette paper pad or glass palette
      • Palette knife: small trowel/angled with square end (not pointed)
      • Silicone squeegee (or pottery tool) - straight edge, flexible
      • 4” brayer (SOFT)
      • 4 oz Cold Wax Medium/CWM (Gamblin or Dorland's)
      • 3-4 1.25 oz tubes *OIL* paint (student grade is fine) - WHITE plus cool/warm, transparent/opaque
      • Tools for mark making (choose a few): bamboo skewers, charcoal, string/rope, raffia, etc
      • Tools for texture (choose a few): texture palette knife, bubble wrap, tissue paper, burlap, net bags, metal kitchen scrubber, cardboard (one side peeled off), comb, potato masher, non-skid rug/drawer liner, etc


      OPTIONAL
      • 2 oz Gamsol or other odorless mineral spirits (OMS)
      • 2” brayer
      • soft (non-oil) pastels or pan pastels
      • additional paint/pigment stick colors
      • "Cold Wax Medium: Techniques, Concepts and Conversations" by Rebecca Crowell and Jerry McLaughlinhttps://coldwaxacademy.com/product/cold-wax-medium-book/

      AVAILABLE FOR STUDENT USE:
      • Scissors
      • Vegetable oil / Murphy's wood soap for clean up
      • Gamsol / odorless mineral spirits (OMS) & dropper
      • Powdered pigments
      • R&F Pigment sticks
      • Marble dust / calcium carbonate powder
      • Additional texture tools


      CHOOSING COLORS: A limited palette works best. Choose a color range you enjoy to explore. • AVOID ALIZARIN CRIMSON with CWM (it migrates and turns everything pink!)
      USEFUL COMBINATIONS TO CHOOSE FROM INCLUDE:
      • (White +2 or +3) Tit White, 1 violet plus 1 yellow: will mix a range of pure and muted violet and yellow light values. Adding a Black will make dark tints of your colors and mixtures.
      • (White +2 or +3) Tit White, Ultramarine, Burnt sienna: will mix a dark black (& blue) and wide range of neutrals with white. Adding a Cadmium yellow (opaque) OR Hansa yellow light (semi-transparent) will add green mixture options
      • (White +3) Tit White, Yellow ochre, Naphthol red (or Cadmium red), Ivory black: known as Zorn palette, will give a surprisingly large range of mixed colors, also excellent for portrait painting)
      • (White +3 or 4) Tit White, Turquoise, Quinacronone red or magenta, Hansa yellow light (or Bisumuth yellow). Adding a Black will make dark tints of your colors and mixtures. (Close to the CYM/B Cyan/Yellow/Magenta(/Black) color wheel.)
      • (White +5 if you already have some colors and experience) Tit White, India yellow, Cadmium orange, Quinacronone red, Ultramarine blue, Turquoise (split primaries can give you a wide range of both intense and muted colors)