#024-COLD WAX 3-day INTRODUCTORY WORKSHOP

Class Dates:

SATURDAY 2/15, SUNDAY 2/16 AND MONDAY 2/17 from 1:00 - 4:00 pm

Class Instructor: Jan Lintz

Instructor Email: j_lintz@hotmail.com

instagram: @Jan_Lintz_Art

Price: $175.00
    The product is in stock Availability: Available
    4

    Students will need to supply these materials


    Quantity:

    Do you love texture? Seeing the history and geography of underlayers peeking through? Are you intrigued by cold wax as an oil paint medium?

    The goal of this intensive 9-hour hands-on workshop is to dive into the world of cold wax medium without expectations, focusing on the tools and techniques without pressure to create a masterpiece.

    On day 1, we will practice basic tool-handling and create under layers.

    On days 2 and 3, we will begin to explore creating texture and layering techniques on semi-dry underlayers as the wax begins to dry and set up a little. We will play with additive methods including pigment sticks, wet & dry transfer printing, stencils and masking, veils of transparent or opaque color; and also with subtractive techniques like scratching, scraping, and solvent reduction.

    Throughout the workshop, we will talk about contrasting warm/cool, transparent/opaque, smooth/textured on individual layers, about building composition, and about safe and more sustainable studio practices.

    No experience is required or expected (but is also welcomed).

    Feel free to email me with any questions or concerns.

    Maximum of 4 students. Three 3-hour sessions.

    NEW CLASS LOCATION: 1874 Lemming Ave (click on here for more information)

    *To reserve your place in any class, payment must be received at the time of registration.

    *For a refund on any of our classes, we will need to be notified at least 48 hours in advance of the first class.

    ***All Students get 20% off purchases made while enrolled in a class***

    Our classes are now located at our "Studio North" location. When arriving make sure you have all your materials listed below for you class!

    PLEASE HAVE:

      REQUIRED MATERIALS TO BRING: (PLEASE READ CAREFULLY!)
      • 4 oz Cold Wax Medium/CWM (Gamblin or Dorland's)
      • OIL paint, any brand (water-soluble is OK if that's what you have, but NOT recommended)      TITANIUM WHITE REQUIRED (1.25 oz or larger)      PLUS 2-4 COLORS (1.25 oz tubes) - SEE COLOR SUGGESTIONS BELOW     
      • Palette knife: small trowel/angled with square end preferred, but any shape that works to mix paint and also paint with is fine
      • Silicone squeegee (or pottery tool) - straight edge, flexible
      • 4” SOFT brayer (roller)
      • *Either* 1 PAD (12 sheets) Arches *OIL* paper, 9x12" • *OR* 1 PAD (10 sheets) Strathmore *OIL* paper, 12x12" • *OR* 1 PAD (10 sheets) Canva *OIL* Artboards, 9x12" • *OR* larger (ie 12x16) if you already have it or you prefer, as we will be taping off smaller/multiple paintings • [*NOT* "Canvas paper" - CWM does not adhere well at all]
      • 1" white artist tape or painter's tape or masking tape
      • 4-6 sheets cardboard (or heavy paper), at least 1-2" larger on all sides than your paper/panels (to tape substrates for maneuverability while working)
      • Cardboard boxes to transport wet paintings mounted on cardboard (*pizza boxes work great, multiple pizza boxes are even better so you won't have to stack wet paintings. Make sure they are large enough to fit your mounting cardboard/papers inside.)
      • Parchment or Wax paper (NOT plastic wrap)
      • Tools for mark making (choose a couple): graphite, charcoal, charcoal, Neocolor I wax pastels, bamboo skewers, stencils (NOT OIL pastels)
      • Tools for texture (2 or 3): bubble wrap, tissue paper, burlap, metal kitchen scrubber, cardboard with one side peeled off, comb, etc
      • APRON
      • Rags or blue shop towels


      OPTIONAL
      • Feel free to bring landscape (or other) photos to use as inspiration if that's your thing. Or not.
      • Palette paper pad or Glass palette
      • GESSOED cradled wood panel (up to 12x12")
      • Acrylic painting (to use as an underpainting) lightly sanded or clear gessoed for tooth
      • Additional colors of oil paint
      • Collage materials
      • SOFT (NOT oil) pastels
      • additional oil paint and/or pigment stick colors
      • Recommended Reading: "Cold Wax Medium: Techniques, Concepts and Conversations" by Rebecca Crowell and Jerry McLaughlinhttps://coldwaxacademy.com/product/cold-wax-medium-book/

      INSTRUCTOR PROVIDES:
      • Nitrile gloves
      • Palette paper
      • Scissors
      • Vegetable oil for clean up (AVOID SOLVENTS unless paint/CWM has dried on a brayer and veg oil doesn't remove it)
      • R&F Pigment sticks
      • "Spectrafix" casein-based fixative for charcoal or pastels (must go outside to apply spray)
      • Marble dust / calcium carbonate powder
      • Additional texture tools


      CHOOSING COLORS: GENDRAL INFO
      • (REQUIRED) TITANIUM WHITE: to mix lighter tints• (RECOMMENDED) BLACK: to mix darker shades
      • _AVOID_ALIZARIN_CRIMSON_ with CWM (the pigment migrates toward the surface and turns everything pink!)
      • Don't stress!! There are no bad colors!! (except Alizarin crimson - unless you love pink ;)• Choose a color range you ENJOY - do you prefer earthy? intense? tonal? bright and colorful?• You will explore the wide range of possible colors possible with the limited tubes you choose.• A color "HUE" is a modern safer version of a classic color made from potentially toxic heavy metals (like cadmium, cobalt, etc). Hues are also generally transparent instead of opaque like the colors they replace.

      A FEW USEFUL COLOR COMBINATIONS INCLUDE:
      • Violet plus yellow: complements produce a range of muted violets and yellows, olive greens. Or more pure violet and yellow tints with white.
      • Ultramarine blue, Quinacronone red, Cadmium yellow light: act as basic primaries for a WIDE RANGE OF COLORS
      • Ultramarine, Burnt sienna: will mix a dark black; with white -> WIDE RANGE OF MUTED/NEUTRALS (& blue). Adding a yellow will give GREEN mixture options
      • Naphthol red (or Cadmium red), Yellow ochre, IVORY black: [act as primary red, yellow and blue] known as the ZORN palette, will give a surprisingly LARGE RANGE of mixed colors (also excellent for portrait painting with a wide range of FLESH TONES)
      • Burnt sienna, Yellow ochre, Payne's grey: act as primary red, yellow and blue if you prefer MORE EARTHY colors
      • Turquoise, Quinacronone red or magenta, Hansa yellow light: Close to the CYM Cyan/Yellow/Magenta color wheel can result in both bright and muted colors
      • India yellow, Cadmium yellow light, Cadmium orange, Quinacrinone red, Ultramarine blue, Turquoise (a FULL SPLIT-PRIMARY PALETTE: can give you a WIDE/almost limitless range of BOTH INTENSE AND MUTED colors; can mix a very dark black from the 3 transparent colors, so no need for a tube of black)